This assessment shows how a mid-sized media and publishing business can find, score and control the risks that threaten its titles, events, rights, finances, people and reputation. Eight risks were chosen because they are plausible in everyday editorial, production and live entertainment work. Process breakdown, handover failure and supplier dependency are the most likely. Technology outage and loss of master files carry the highest inherent score, so they are placed at Critical until restore controls are tested. Each risk is scored before controls and again after existing and added controls. Most risks fall to Medium or Low once the proposed controls are in place. The first actions are a written handover template, restricted editing of masters, rights clearance before scheduling and call back checks on supplier bank changes. The company is a teaching example, so every score illustrates method rather than describing a real business.
Scope
This assessment covers a mid-sized independent media company that publishes books, magazines and digital content and produces live entertainment events. It covers content production, rights clearance, distribution, finance, technology, people and safety at sites. It does not cover any real company, jurisdiction or contract. Jurisdiction, audience size, platforms and venue types are assumptions made for teaching only and are labelled as such in the assumptions.
Context
The company has an editorial team, a production unit, a rights and licensing desk, a finance function and an IT team. Titles are commissioned, edited, printed or published online, and events are staged at hired venues with contracted crew and suppliers. Work is planned in calendars that depend on printers, distributors, a content management system and cloud storage. Each risk is scored before controls to show its natural level, then again after existing controls and the additional controls proposed here.
Objectives, assets and stakeholders
The objective is to deliver titles and events on time, protect rights and master files, pay and collect money accurately, keep the trust of audiences and partners, and keep people safe at work and at events. The assets in scope are the content library and master files, rights records, bank accounts and royalty ledgers, the content management and distribution systems, venues and equipment, and the reputation of the brand. Stakeholders include editors, producers, crew, authors, performers, suppliers, distributors, venues, readers, audiences, the board and regulators. Every risk has one owner role, the operations director keeps the register current, and the board reviews it each quarter.